As a cultural quarterly program independently developed by China.  The program aims to carry forward the traditional Chinese poetry culture, aims to combine education with fun, integrates knowledge and entertainment, and is a brand program loved by the audience and echoed by the society through all-media communication.

As the forerunner of the national poetry cultural programs, Hebei Satellite TV's "Good Chinese Poetry" college season "Just Young Students" has set a precedent and introduced fashion, with gifted scholars and beautiful poems gathering in the ancient city.  In the finals, 720 450W shake-head LED beam lights (Ares-B5) and 72 1200W shake-head LED dye lights (EOS-B19) will be used to bring you a wonderful light and shadow experience.

Special thanks to Mr. Yang Hao for his affirmation and strong support for the lighting design of Ganyuan Tailai (Beijing) International Cultural Media Co., Ltd.!  Moving the stage from the indoor studio to the outdoor has greatly changed the lighting, both in terms of creative design and equipment size.  Yang Hao, the general lighting design, put forward very strict requirements for himself: the whole lighting design should not only reflect the beauty of light and shadow in traditional poetry, but also show the artistic conception of ancient buildings and light and shadow in combination with the real scenes of ancient buildings in China.

Master Lighting Design, Mr. Yang Hao

Lighting, poetry and ancient architecture are inseparable.  On the basis of "culture and poetry", poetry is used as adhesive to skillfully integrate ancient buildings and lighting design, thus creating greater charm.

Therefore, in the lighting design, the designer consulted a large number of historical data about Zhengding ancient city. According to the records, Zhengding ancient city wall, Changle Gate, was expanded in the 14th year of Zhengtong reign, with a circumference of 24 li, a height of 3 feet and a width of 2 feet.  So in order to show respect and review of that period of history.  The main shape of the lighting design is divided into three groups and three sections, namely, the ground, the city wall and the periphery. Each group has 240 lamps, Ou Ma 450 Light Beam Lamp (Ares-B5) and the top part of the city wall has 2 floors, which is exactly the length, width, height and thickness of the ancient city at that time.  "Salute history with the same number.

The lighting effect of the program is also located in the integration of sky, people, land, poetry and light and shadow.

"Heaven" refers to the "cultural confidence" and "cultural value" brought to us by poetry. Poetry is used to "spread Chinese voices and tell Chinese stories".  Therefore, when the word "pure" is highlighted in light, the sky is pure and the light is pure.

"People" means that thousands of colleges and universities compete with each other and the youth of the college team is blooming. Therefore, the word "positive" is highlighted on the light, and the color of people is also positive.

"Land" refers to the millennium old city of San Guan Xiong Town, Zhao Yun's hometown, with a long history and profound culture.  Therefore, the word "static" is highlighted on the light.  The word "quiet" is a bi-sexual "quiet, Jing Ya, respect and awe".  Therefore, the pure and pure lighting, comfortable Jing Ya of the picture, moving and quiet light, without losing massiness, are the key points in creating the lighting effect this time.

"Good Chinese Poetry" vigorously promotes the traditional Chinese poetry culture in a novel and unique way.  Let the vast audience feel the charm of poetry and the breadth and depth of Chinese culture!

Interpretation of Poetic Mystery with Light and Shadow

The main creative team:

Producer Wu Hongru

Chief Producer Yang Baokun

Producer Dong Likun Wang Peng

Producer Zhao Wei

Chief Director Garden

Director Zhu xingyi

General Lighting Design Yang Hao

Lighting Design Yin Zhitao and Zhao Hong Gaoxiang

Ding Xiaobiao, Audio Design

Executive producer Ji Guofeng Cui Yujie and Yang Baokun

Chief Executive Producer Wu Hongru, Li Shejun and Zhang Zhou

Moving the stage from the indoor studio to the outdoor has greatly changed the lighting, both in terms of creative design and equipment size.  Yang Hao, the general lighting design, put forward very strict requirements for himself: the whole lighting design should not only reflect the beauty of light and shadow in traditional poetry, but also show the artistic conception of ancient buildings and light and shadow in combination with the real scenes of ancient buildings in China.